![]() ![]() When I saw this, I thought, Oh, cool, I'm gonna try some fun stuff here. If you look hard, you may still find some barely visible discrepancies, but basically here you have a mask with a gradient.įor reference the colours are &H3D8FE9 on the left and &H4094EF on the right. ![]() ![]() Couldn't afford more, because it would either start showing the kanji under it, or grow outside of the orange area. For that to work you need that blur so that the different shades can blend into each other smoothly. So if there's enough space around, you can blur it a lot, like \blur5 or more,Īnd then even if the sign has a slight gradient, you may get away with just one colour, because with blur5 you always have 5 pixels of fade. The reason is that more blur helps it blend better. While I start with \blur0.5 on all signs, I put \blur1 on the masks, and more if needed/possible. That brings us to the last part about masks. But to make it work you need one more thing. Of course for each section the outline colour must match the primary. You can use OOOO or 8888 if you need a roundish mask, or use IIIII or ||||| if the range of colours is larger. So what i did was use 333333333333 with \bord10 as the mask and changed colour every few letters. And you can only have one colour for the drawing mode. So a mask in one colour didn't work, because it was always too visible on one end. Or maybe you could say the left is more orange, right is more yellow. The background on the left is darker than on the right. Well, you might need a strong gradient but then you'd have to use an actual gradient and have hundreds of lines.īut for a mild one, you can actually use some symbols from a font with large border.įor example in one Nise ep I had this sign: Speaking of that, sometimes you need a mask with a slight gradient. Just match the primary and outline colour and it works. You can use the letter O for an ellipse or whatever else gives you a shape you need. For example if you use a period with \bord50, you get a pretty good circle. You can actually use this with a regular font. To get a circle, you do the same but scale the original square down to 1 pixel. Of course you need the exactly same colour for \c and \3c. If you need a rectangle with round edges, or even a circle, you can still do it with the basic square.įor rounded edges, use border with a value as high as you need to get the right shape. Here's what it looks like in working mode. Sometimes there are additional ones for the numbers. don't need hands for the rest of your life.Įach book has one typeset for the title with matching colour and size, and a mask in the colour of the book to hide the JP title. ![]() I don't recommend that you ever try that. So it really was 5 hours of pretty tedious work. In case it wasn't clear to someone, all the books had Japanese titles, of course. (Turn it off in Options-Advanced-Video.) Yeah, shit keeps changing. Ģ015 Note: And if you're reading this, do NOT use BT.601. If you're using Aegisub 3.0, use the BT.601 colourspace. If you're using those versions, use avisynth to load the video. Some colours of the masks are off because back then I didn't know about the issues with colourspaces and used ffmpeg in Aegisub 2.1.8 or 2.1.9. Here's what you can do with it, if you feel like spending 5 hours on 1 frame: Using the basic rectangle with \fscx\fscy\fax\frz i can usually get what i need. Normally I use the drawing mode only for masking. If I need a specific shape, I draw it with the clip tool and use a script to convert it to drawing. Shape can be adjusted with the scaling tool. I rarely use any complicated shapes with this. I have briefly described that in the Positioning Signs section. You should already know how it works from ASS Tags.ĭrawing is useful when you need to cover some area with solid colour and put a sign over that. That's the basics of using clips, so now for the drawing mode. \clip has more compatibility, so I use that one wherever possible. No special tool for that, so just add the i & adjust coordinates by typing. There's also \iclip, which does the opposite - selects the area that will not be visible. Obviously, a rectangle won't always do, so you have the other tool that lets you draw a more complex shape. Typing without the tool selected may be better as the red lines won't be in the way. If it's a pixel off, you can either drag the orange dots or type in the tag. Rather than this part being visible the idea is the other part not being visible, so it doesn't matter if you expand it to empty areas. That's the coordinates of the visible area. You'll get somethnig like \clip(54,25,380,110) in the tags. You have a sign, and you want only part of it to be visible, so you use the basic clip tool and draw a rectangle over the area you want visible. The clip tools are under the rotation and scaling tools in Aegisub. So what remains is clips, animation, drawing mode, and using all the things together. ![]()
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